Tuesday, June 26, 2012

This is a play I wrote for Bunny Gumbo's Combat Theatre.  Here's how it worked. On May 31, 8 p.m., the eight playwrights sat with Jim Fletcher, artistic director, and picked a subject and location out of separate hats. This evening I picked police informant and utopia as my subject and location. That in hand, and on my mind, I went home and wrote a 15-minute play. I finished at about 4 a.m. I slept for 2.5 hours, got up and did another draft. I turned in the play at 9:30 a.m. The eight directors chose playwrights out of the hat (Dick Chudnow of Comedy Sportz, chose me). Then the actors were chosen and those lucky kids rehearsed all day. The eight plays were performed before a live auidence that night. After the show, we went through the entire process again. Eight new shows (mine dealt with The Weird Sisters at a cabaret) were performed Saturday night.

Here's the product of my Thursday night/Friday morning labor.

Enjoy.


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Bunny Gumbo
Know, Thank You
Subject: Police Informant, Location: Utopia

John Van Slyke
6/1/2012





Characters: Jimmy, Officer Liz Jones, Bobby, Big Kahuna






Know, Thank You by John Van Slyke





(JIMMY stands, playing with his phone. He looks out—we realize later he is looking at BIG KAHUNA, as opposed to the AUDIENCE)



(OFFICER JONES enters, on phone with earbuds . JIMMY immediately places his phone to his ear.)



OFFICER

(Not looking at JIMMY) What do you have for me?



JIMMY

What do you want?



OFFICER

(Fast, through teeth) Don’t look at me!



JIMMY

(Turning away) Shit!



OFFICER

Hey, you wanted to meet face-to-face. Highly irregular these days. But you want it, I’m here to please. But that means we pretend to use the phones.



JIMMY

I know. Thank you.



OFFICER

You have to have something.



JIMMY

What’s it worth to you?



OFFICER

My admiration.



JIMMY

I was thinking of something more tangible.



OFFICER

Like?





JIMMY

A hug.



OFFICER

The big, utopian society gesture. A hug. You mean from me, right?



JIMMY

Yeah.



OFFICER

Yeah, I can make that happen.



JIMMY

Good. Now. You know the guy?



OFFICER

The guy with the…



JIMMY

That’s the one. Check my blog.



OFFICER

My signal is weak out here.



JIMMY

I’ll wait.



OFFICER

Okay, I got it.



JIMMY

Damn, that is slow.



OFFICER

This goes with the tweet, the letter, and the graffiti?



JIMMY

Put it together and what do you got?



OFFICER

Our man.



JIMMY

Here he comes.



OFFICER

Shit, Jimmy, you’re not supposed to be here.



JIMMY

I don’t know that? He’s early.



OFFICER

Really? Face-to-face meet, the subject walks in on us?



JIMMY

What are you saying, Officer Jones?



OFFICER

Just get over there.



JIMMY

Alright! (JIMMY attempts to hide while in plain view. It’s ridiculous)



OFFICER

Bobby Thumbs?



BOBBY

(Pointing thumbs at himself) That’s me.



OFFICER

I’d like to talk to you for a moment.



JIMMY

(Out) Watch this closely.



BOBBY

Is something up, officer?



OFFICER

As a matter of fact, there is.



BOBBY

Then how can I possibly be of help?



OFFICER

(Reaching in her pocket) I think you know.



BOBBY

I don’t think I do.





OFFICER

Then maybe this will help.



JIMMY

(Out) This should be the happiest part of my day.



OFFICER

(Pulling hand from pocket, throwing confetti at BOBBY) Congratulations, you’ve earned an individual social citation. Yea! You.



JIMMY

(Out) But, it all goes horribly wrong.



BOBBY

No, no, put the confetti away (trying to kick it away or cover it up some way). Sure I know I did something good for the drowning kids. But I can’t be singled out for that act. I just can’t let this get out. I can’t have a citation like this hanging over me.



JIMMY

(out) He saved two drowning kids. Why so wigged out?



OFFICER

I can make it go away.



BOBBY

You can?



OFFICER

Of course I can.



JIMMY

(Out) That’s not right, this isn’t right.



BIG KAHUNA

(Entering from the audience) Okay, stop your memory, Jimmy. You know, you weren’t supposed to be there.



JIMMY

Glad I was. This isn’t what I signed up for.



BK

(Moving toward stage) Jimmy, baby, things like this happen.



JIMMY

It’s not like it used to be.



BK

What is? Change is constant.



JIMMY

Even in a utopian society?



BK

You obviously don’t understand utopia. That’s okay. A lot of people don’t. After generations, people don’t have the same connection as there originally was—back in the day.



Y’know, some people only know utopia as a Todd Rundgren band. Most people don’t know who the hell Todd Rundgren is. I feel bad for the poor guy. But my point is, how can we expect people to truly understand what we represent. We’re an ideal. How can an ideal exist? It can’t! So when somebody doesn’t want to be singled out as a fine citizen, how can we force it upon them? Let’s be practical, okay?



JIMMY

This is making me feel worse.



BK

Don’t let it get to you. You’re good at your job. (Beat—referring to BOBBY and OFFICER) Do we still need these memory holograms here?



JIMMY

Oh. No, no. (JIMMY motions for the holograms of BOBBY and OFFICER to leave)



BK

(as BOBBY and OFFICER leave) It’s just that I’m talking to you, and I see this thing out of the corner of my eye. And I think they’re going to start talking to me. It’s freaking me out, y’know? Glory be.



Okay. I was saying. Yeah. You’re good at your job. You can find things out that others can’t. Whatever we need. And not get found out. That’s a gift. But. Jimmy. Times are changing. We just might need you to find out different things from now on.



JIMMY

Like what?



BK

That’s to be determined.



JIMMY

I won’t be informing you about good things anymore? (Pause) I just become like any other informant in the outside world? (Pause) Then I don’t want this job.



BK

(smiling) You are placed in a job based on your abilities. Think of how many people in the outside world are in jobs they have no real aptitude for. They get into it because they think it’s marketable. But you really should have the talent. Here, Jimmy, you have a talent and we find the market for you. Ba-da-bing-ba-da-boo. (Beat) You should be happy about this.



JIMMY

I’m not! Not even with a job I’m suited for.



BK

Yeah, that seems so counterintuitive to me, I’m at a loss. Jimmy, thank you for bringing your concerns to me.



JIMMY

You don’t care about my concern.



BK

No, I do. I just won’t do anything about it. See, Jimmy, it’s about the why. Not wanting to be congratulated, to be singled out, that’s the what. Getting upset, that’s “how” you react. But. Get to the why of this situation…get to the why and you rule. (Beat) You’ll catch up to my line of thought, eventually. Because it’s for the greater good of our society to move beyond where we are and deal with the experience of our fellow citizens.



JIMMY

Even if it makes us a society of people unwilling to do good because we might get singled out and somehow feel…uncomfortable?



BK

Yup.



JIMMY

That’s wrong.



BK

That’s life. So, (Exiting) go back to the real Bobbies and Officer Joneses of your sector. And keep up the good work—don’t get caught doing it.



JIMMY

But, I’m unhappy. I’ll make mistakes.



BK

(Exiting) We’re a perfect society, not perfect people.



 (BOBBY enters.)

JIMMY

Hey, Bobby. How’s it going?



                                                                                    (BOBBY gives the thumbs up.)



JIMMY

So you got a social citation.



(BOBBY stops in his tracks, then charges at JIMMY)



BOBBY

Who told you that?!



JIMMY

Hey, hey, take it easy. Nobody told me.



BOBBY

Then how did you…no. Jimmy, you? An informant? How could you?



JIMMY

Because. It made me feel good. That was the personal satisfaction I got out of being a police informant. In utopia.



                                                                                    (OFFICER JONES, enters, listens)



JIMMY

I mean, my god, being able to snitch on someone for doing something good. What’s not to like? But, you take that feeling away from me, I’m just a stoolie, a tell tale, a…



BOBBY

Cheese eater.



OFFICER JONES

What the hell are you doing, Jimmy?



JIMMY

What, he fingered me.



BOBBY

I did what now?



OFFICER JONES

You made it easy for him.





BOBBY

Oh, you mean I pointed you out as an informant. That fingering.



JIMMY

You know cheese eater and you don’t know fingering?



BOBBY

No, I do. You just didn’t use it in the right context.



JIMMY

What are you talking about?



BOBBY

You’re the finger, I’m the fingered. You confused me.



OFFICER

You done now? (Beat) Good. So it comes to this, Jimmy.



JIMMY

It does.



OFFICER

You couldn’t leave well enough alone.



JIMMY

I couldn’t.



BOBBY

You’ll need to inform…



OFFICER

Jimmy already informed on himself.



JIMMY

You mean…I thought I was talking in confidence.



BOBBY

Oh, that’s good. Any conversation is information. There’s always need for information. You should know that, in your line of work.



OFFICER

C’mon, Jimmy, I’m taking you in.



JIMMY

What for? (Suddenly excited) For reassignment? I’ve always wanted to be a golf ball diver.



OFFICER

You don’t swim well enough.



JIMMY

How about a dentist?



OFFICER

That won’t happen. But there is something you can do that would keep you in your wheel house but keep you off the street.



JIMMY

Tell me! I’ve been waiting for this. Finally, I do have a say in my individual future.



OFFICER

You can teach—how to be a police informant.



BOBBY

Man, you are so lucky.



JIMMY

(Out) This isn’t how I imagined it.



OFFICER

How ’bout a hug?



(OFFICER and BOBBY hug JIMMY)



 (Lights out)